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<p><strong>Q. Two of your films were released straight to streaming platforms. Do you think they got their due?</strong></p><p>We all still love the theatre, it is magical and immersive. Both my films, Sufiyum Sujatayum (Malayalam) and V (Telugu), were made for theatre, so I was disappointed initially. But OTT gives you a different thrill. The audience is bigger, response is quicker.</p><p><strong>Q. Has OTT further erased linguistic boundaries?</strong></p><p>Of course. I became an actor to be a Mani Ratnam heroine. I did a Tamil film with him which opened up the southern region for me. Movies make you feel, and feelings don&rsquo;t have a language. OTT validates that in many ways. It has validated my need to be a pan-India artist.</p><div class="itemcenter"><amp-iframe height="62" title="" width="320" sandbox="allow-forms allow-scripts allow-same-origin allow-popups allow-top-navigation allow-top-navigation-by-user-activation" allowfullscreen src="https://ancillary-proxy.atarimworker.dev?url=https%3A%2F%2Fakm-img-a-in.tosshub.com%2Fsites%2Findiatoday%2Fbanner%2Fpreferred-source-new.html%3Fv%3D1.014%5Cu0026native%3D1" class="mrBt15 preferred-source-banner"> </amp-iframe></div></p><p><strong>Q. Telugu is a language you dub yourself. Has your Telugu become better?</strong></p><p>During the lockdown in Hyderabad I initially asked my family speak to me in Telugu, but they said it was taking too long to communicate with me. So I began taking lessons and would respond to the tutor in a khichdi of Tamil, Telugu and Hindi. But the Telugu audience is forgiving. They like that you put in an effort.</p><p><strong>Q. The industry is going through a trying period with theatre closures, job losses and constant media scrutiny.</strong></p><p>We all have ups and downs and flaws but I&rsquo;m proud of this industry. People have been good to me and I have felt protected and worked with dignity. At times like these, I can only hope there will be introspection. It&rsquo;s frightening and sad to see how vengeful and unkind the vilification can be.</p><div id="tab-link-wrapper-plugin"><div class="authors__container"><div class="authors__by"><div class="authlable">Published By: </div><div class="authdetaisl">Iram Ara Ibrahim</div></div><div class="published__on"><div class="authlable">Published On: </div><div class="authdetaisl">Sep 12, 2020</div></div></div><div class="sendros">--- ENDS ---</div></div>

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<p><strong>Q. Two of your films were released straight to streaming platforms. Do you think they got their due?</strong></p><p>We all still love the theatre, it is magical and immersive. Both my films, Sufiyum Sujatayum (Malayalam) and V (Telugu), were made for theatre, so I was disappointed initially. But OTT gives you a different thrill. The audience is bigger, response is quicker.</p><p><strong>Q. Has OTT further erased linguistic boundaries?</strong></p><p>Of course. I became an actor to be a Mani Ratnam heroine. I did a Tamil film with him which opened up the southern region for me. Movies make you feel, and feelings don&rsquo;t have a language. OTT validates that in many ways. It has validated my need to be a pan-India artist.</p><div class="itemcenter"><iframe scrolling="no" allowfullscreen="" frameborder="0" width="100%" height="62" awidth="320" aheight="62" amplayout="fixed" src="https://ancillary-proxy.atarimworker.dev?url=https%3A%2F%2Fakm-img-a-in.tosshub.com%2Fsites%2Findiatoday%2Fbanner%2Fpreferred-source-new.html%3Fv%3D1.014" class="preferred-source-banner" loading="lazy"></iframe></div><style>.preferred-source-banner{  margin-top: 10px; margin-bottom:10px;}</style></p><p><strong>Q. Telugu is a language you dub yourself. Has your Telugu become better?</strong></p><p>During the lockdown in Hyderabad I initially asked my family speak to me in Telugu, but they said it was taking too long to communicate with me. So I began taking lessons and would respond to the tutor in a khichdi of Tamil, Telugu and Hindi. But the Telugu audience is forgiving. They like that you put in an effort.</p><p><strong>Q. The industry is going through a trying period with theatre closures, job losses and constant media scrutiny.</strong></p><p>We all have ups and downs and flaws but I&rsquo;m proud of this industry. People have been good to me and I have felt protected and worked with dignity. At times like these, I can only hope there will be introspection. It&rsquo;s frightening and sad to see how vengeful and unkind the vilification can be.</p><div id="tab-link-wrapper-plugin"><div class="authors__container"><div class="authors__by"><div class="authlable">Published By: </div><div class="authdetaisl">Iram Ara Ibrahim</div></div><div class="published__on"><div class="authlable">Published On: </div><div class="authdetaisl">Sep 12, 2020</div></div></div><div class="sendros">--- ENDS ---</div></div>

Aditi Rao Hyadri on the linguistic freedoms afforded by OTT platforms and the rough time the film industry is currently going through.

India Today

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The incident is reported to have taken place in the Remuna area of Odisha’s Balasore district. The man, identified as “Khaga,” is seen performing the high-risk act with apparent ease, defying the common fear associated with King Cobras, which are widely known for their deadly venom.


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Digvijaya Singh had moved the application seeking rejection of Champanerkar’s plaint, arguing that there was no cause of action and that the suit was barred by law as the plaintiff lacked locus standi to institute it.

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TDP MP Krishna Prasad Tenneti said some members subsequently climbed onto the tables, tore papers and threw them towards the Chair. One of the MPs called him yaar, which he found highly objectionable. 

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SP Venkatesh, renowned for his work in Malayalam and other South Indian cinema, died on Tuesday in Chennai at the age of 70 following cardiac arrest. His decades-long career included hit songs and background scores in multiple Indian languages.

SP Venkatesh

Malayalam music composer SP Venkatesh dies at 70 after cardiac arrest

The bill, introduced under the KP Sharma Oli-led government, was seen as an attempt to control social media and had sparked nationwide Gen Z protests last year.

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Prime Minister Narendra Modi was greeted with applause and accolades at the NDA parliamentary meeting on Tuesday following a landmark trade agreement between India and the US. The meeting, held at the Parliament complex, concluded with alliance MPs congratulating the Prime Minister for securing the deal, which promises immediate tariff relief for Indian exports. Parliamentary Affairs Minister Kiren Rijiju, speaking after the session, welcomed newly elected BJP president Nitin Nabin and noted the visible enthusiasm among MPs over the recent trade developments. Chants of “Jai Modi,” “Vande Mataram,” and “Bharat Mata ki Jai” echoed through the hall as party members praised Modi for the landmark agreement with US President Donald Trump.

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Language no bar

Aditi Rao Hyadri on the linguistic freedoms afforded by OTT platforms and the rough time the film industry is currently going through.

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