T Maruthi Acharya

The Telugu remake of the Malayalam hit Jaya Jaya Jaya Hey, Om Shanti Shanti Shantihi works in moments but falls short of offering a distinct voice.

Border 2 delivers the emotional certainty that audiences expect from a war film. But when the dust settles, it raises a larger question about what Hindi war cinema chooses to explore and what it leaves untouched.

Unveiled at the Republic Day parade amid grand visuals and mass choreography, Vande Mataram received a new musical treatment by Oscar-winning composer M. M. Keeravani.

Actor Chiranjeevi has weighed in on the long-standing casting couch debate, stating that the Telugu film industry does not have a culture of exploitation, triggering mixed reactions online.

With a decade-long hit streak and a clear understanding of family audiences, Anil Ravipudi continues to succeed by prioritising entertainment over online noise.

A quiet Telugu social drama, Dhandoraa has found renewed attention after its OTT release for its restrained take on caste and everyday injustice.

With multiple interesting releases at the Telugu box office, Sankranthi 2026 proved that beyond posters and fan noise, audience connection still decides the real winners.

The 2026 Telugu slate announced by Netflix brings together mass entertainers such as Ustaad Bhagat Singh, Peddi and The Paradise, alongside a mix of action, drama and character-driven films.

A low-buzz Sankranthi release, Naari Naari Naduma Murari quietly delivers a smart, clean family entertainer that relies on situational comedy, strong character writing, and a fresh core idea rather than noise or scale.

Bhartha Mahasayulaku Wignapthi movie review: Bhartha Mahasayulaku Wignapthi, a Sankranthi comedy starring Ravi Teja, Ashika Ranganath and Dimple Hayathi, was meant to signal a comeback. Instead, it settles for familiar gags and uneven laughs.